“This Streetcar is brilliant. It is riveting and propulsive - I couldn't look away.”
— Jen Silverman, playwright & novelist”
“What a beautiful thing to watch these glorious beasts do such a wild throw down!”
- Dierdre O’Connell, Tony Award winning actress
“A wonderful version of STREETCAR, cracked wide open and without any fussiness. It brings Williams’ gorgeous language front and center, amplified by four beautiful and modern performances.”
- Reed Birney, Tony Award winning actor
“It’s like someone stripped the paint off to reveal a classic. This Streetcar is a hidden gem. You’ll feel as though it’s your own dirty secret.”
- Glenn Fleshler, Film & Theater artist
“Streetcar completely rediscovered with every word in tact. Living through four actors who filled my imagination with a world I thought I knew and then had a totally vibrant, alive, new experience.”
— Anthony Edwards, Emmy-Award winning actor and host of a Streetcar performance
“We partnered with this incredible production of Streetcar, which sold out almost immediately. Our audience was thrilled to experience the play in a way they had never imagined. There is a rawness, a nakedness, when this company fills an unexpected space that allows Tennessee Williams’ language to pierce your heart.”
— Chelsea Altman, restauranteur, business owner and host of a Streetcar performance
“This is how you make a great play SING. Pare away all the trappings and trust that the words alone, in the right hands, can make a whole world. I’ve never seen or heard this play so clearly.”
- Michael Emerson, Emmy-Award winning star of “LOST” & “Person of Interest”
It was Like i was hearing the play for the first time.
- Daniel Kluger, Tony-Nominated composer and designer
Photos by Walls Trimble @trimblenator
“Our best actors redefining what it means to be in an ensemble. The direction is intelligent, bold, and unexpected. The production is Sublime. It was like seeing the play for the first time. Bravo!”
- Greig Sargeant, Elevator Repair Service.
“It was refreshing to see "Streetcar" in this raw format. It allowed us to hear the play as if for the first time. Nick clearly understands the humor and the tragedy baked into the play and directed these fierce actors beautifully. Lucy Owen blew me away.”
- Colby Minifie, “THE BOYS"
"A true thrill. I imagined Tennessee giggling in the corner, delighted someone had made something so new and raw with his words.”
- Michael Urie, Ugly Betty & Shrinking
“What this production does is allows the play to be the star and thus allows the audience to hear the play. The acting company approaches their work with courage and humility. It's the kind of out of the box, impossible to describe experience I want every time I go to the theater.”
- Annie Parissee, theater and film artist
“This show rocked my understanding of Streetcar. It's lightning in a bottle. Exactly the kind of fearless, feisty work I hope we get to see -- and do!-- more of in the American theater.”
- Sophie von Hasselberg, Film & Theater artist
"It was as though I was watching a new play. Tennesee Williams as a bright young thing here in 2024 here to help us find our way through the grief of this moment in our world. Startled, moved and oh so present inside of the story and what Nick and the whole company are bringing to every new space they inhabit. We all need to take a leaf out of this company's book on theatre making, now. It's brave and so fresh."
-Gayle Rankin, TONY Nominated star of CABARET at the Kit Kat Club
“I can’t remember a more exciting version of a williams piece.”
- Evan Jonigkeit, Film & Theater artist
"A thrilling new model of theater that celebrates its ephemerality paired with gutsy, daring, performances that strip Tenneesse William's classic to its core."
- Jack Serio, Director of Uncle Vanya
“It was heartbreaking but also hilarious- and the action was so close and so nimble that I feared my laughter might break the spell.”
- Tina Benko, Emmy-Award Winning Actor
“An electrifying theatrical experience. Lucy Owen’s Blanche is a portrait of a troubled woman clinging to every scrap of dignity she has left is breathtaking. She's seductive, sad, terrifying, hilarious and powerful all at once.”
-Michael Cyril Creighton, “Only Murders in the Building”
"the most impactful and revelatory production of Streetcar I've ever seen."
- Carson Elrod, Broadway, film and television actor
“This stripped-down Streetcar is so detailed and clear and touching and wrenching. I loved how the audience and light and dark and sound and expanse and textures of the physical environment informed the performance by these amazing actors. I loved being in the dark with them and with all of the people.”
- Robert Stanton, Broadway, film and television actor
No one would ever associate Tennessee Wililams with minimalism, but in this stripped down version without props or accents or mad scenes, we can truly hear the call of the play. The clarion call of need. I've never felt more how the torque of systemic oppressions have forced these characters to fight for their dignity, and sealed their entwined fates. And Lucy's reinvention of Blanche allows us to see her imagination as an elegant rather than a depraved method of survival. It's an exploration of a beloved, timeless classic that we can all learn from.
- Eisa Davis, Tony-nominated film and theater artists
“An achingly good STREETCAR. Desperately human and horrifying. No sets, no props, no costumes: just the feral heartbeat of predator and prey. And Lucy Owen and the cast- this isn’t acting, it’s alchemy."
- Jane Kaczmarek, Emmy-Award winning actor
